The monumental landscapes recovered in the reuniones tapestries now offer a general scheme which includes the representation of the major benchmarks of the battlefield of Pavia at a monumental scale: the walls, the fortified personales park, Castello Mirabello, the capture of the French King, the French fortification.
There, two Swiss detachments with opposed allegiances 4 are facing each other.Further study must be conducted in order to fully understand their appearance among this group.Compared to the latter the drawings personales reflect a higher pavía point of view reuniones on the battlefield.At this point, it is therefore necessary to confront our hypothesis with the seven drawings related to the tapestries.This necessarily precedes the execution of the full-size cartoons, which are used as a direct personales model during the weaving of the tapestry.Seven tapestries compose this prestigious tapestry personales set that commemorates the first military success of Charles V: the battle held in Pavia on 24 February 1525.As we will see, the reconstructed landscape allows a new interpretation of this battlefield, as reuniones lost features of the battle settings reappear out of this new ordering. If you would like to change your preferences, you may do so by following the personales instructions here.
Three other French formations could be found around the personales city: Montmorency's reuniones forces were encamped to the south, across the river on the island of Borgo Ticino.Cecilia Paredes, editing and peer review managed by: Simon Laevers, Royal Institute for Cultural Heritage (KIK-irpa Brussels.Soldiers of reuniones all nations, German pikemen and landsknechts, Spanish arquebusiers, Swiss mercenaries, Italian and Spanish riders, even stradiotes (oriental light cavalry) as well as their weapons and fighting methods are faithfully portrayed in the tapestries.Both assaults overflow into the fifth tapestry, where one can follow the fight being ruthlessly waged between the Landsknechts in the foreground 13, while the background depicts scenes of flight of the French army.The scene testifies to the violence of the struggle between the Landsknechts of the two sides.Thus recovered, the monumental landscapes may be fully perceived in the panorama recomposed here using the photographs which were taken after the restoration of the tapestries in 1999 by Chevalier Conservation.They are shown being met at this point by Frundsberg's Landsknechts.Between the park and the city, a second area of the conflict, the French fortified camp, is clearly evoked by a double line of earthworks made of trenches protected by a sequence of gabions, deployed in a circle in the fifth and sixth personales panels.La SoloCurveDiTraverso, con la sua ampia offerta di programmi-divertimento, può essere la soluzione nella ricerca del regalo alternativo che avevi in mente.A New Perspective on the Tapestries of the Battle of Pavia (c.As mentioned pavía above, most of the depicted events occurred concurrently but some consecutive actions are also included.Furthermore, flags, armors and costumes allowed the identification of all army units.Keiserliche Schlacht mit dem Konig von Frankreich, beschehen vor Pavia, uff sant Mathis tag im jar 1525,.They included Guillaume Gouffier, Seigneur de Bonnivet (1488-1525 Francis I's closest military advisor; Robert III de la Marck, Seigneur of Fleurange (1491-1537 captain of the King's Swiss guard; Anne, Duke pavía of Montmorency (1492-1567) and Charles de Valois, Duke of Alençon (1489-1525 who commanded the French.The numbers in the tapestries refer to the text ( Fototeca della Soprintendenza Speciale, Polo Museale della citta di Napoli) (click for enlarged view ) top The new panorama presents the events that occurred during the battle.
The visual examination of the tapestry indubitably reveals a peculiar aspect of the original artistic design project.
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These elements, which appear in the tapestries' photographs taken prior to their last restoration, confirm the sequence of these compositions.